Sanction, the Book: A Novel of Our Time, of the Neoreaction, of the Future

Sanction, Book I by Roman McClay

Sanction is, simply put,  the most wondrous work I’ve read in many years. There are wonderful scenes, ideas, visuals, touches, and as a writer myself, I wonder at the work the author did to pull it off. At well over 400,000 words this indeed an epic–and only the first volume of three.

As I outlined in a previous post, I had wanted to write a novel most of my life, and was inspired to finally do it by a tweet asking “Who will be the Tom Wolfe of the Neoreation/Red Pill?” Amusingly, the product turned out to be only mildly “NRx” but I liked it and Sanity has sold well (by my standards) and gotten good reviews.

With Sanction, Roman McClay has indeed written the “NRx/RP” novel of our time, without, I suspect, even trying.

roman

Roman McClay

If we’re to try and place this novel in a genre, it’s science fiction, but science fiction that constantly strains at the usual definitions and genre tropes. Set in a time period of “Present Day/2018” through approximately 2040, most every chapter contains a scene from now/near term, a scene from somewhere in the middle of this time period and a scene from farther on. Because of this structure,the reader is very much in the dark about what’s going on in the beginning, but each chapter flashes another facet of the story into the reader’s mind, another clue on how it all fits together; but be warned, this is not a light read, a straightforward exposition of a single idea, an entertainment. This is more like reading Thomas Pynchon’s Gravity’s Rainbow (or in a lighter vein, my own “non-linear time sequence” book). Sanction requires investment from the reader.

I don’t know if describing the plot, as such, would give you any useful take on what the book is about, but but the basics are: Lyndon James MacLeod, a true Alpha Male and supremely strong independent Man, has endured a great many things in his life, betrayal and insults and theft of his property, that an Alpha would, until modern times, have responded to with proper and necessary violence. Lyndon takes it all and moves on, starts over building new businesses and romantic relationships, until one day (for reasons you’ll have to read to find out), he decides enough is enough, and systematically and indeed, artistically, eliminates 46 of the individuals who thought they could get away with fucking him over. Confined to prison for life, he becomes the subject of a genetics project/experiment that has, let’s say, unintended consequences, at least for the Governor of Colorado, a scientist/entrepreneur who set the project in motion. The fact that the project is run by two what might be described as, well, humanoid/android “runaway” AIs is not exactly coincidental. There’s more, so much more than this mere sketch to Sanction, but I call it science fiction in the sense that it explores the radical, world-shaking changes that AI and nanotech and cloud connectivity directly to the brain are going to bring–in fewer years than you may believe.

Much of the story is told through lengthy internal dialogues by a variety of characters, often reflecting on the NRx/Red Pill themes: The modern suppression of male energy, government as Daddy, feminism’s poisoning of sexual relations and marriage through “liberating” women to have sex with who and when they want, the stupefaction of the general population by “the media,” and Human Biodiversity, the natural and well-known differences between races and sexes, the natural clannishness of humans versus the fantasy of Neoliberal, Universal WoMan. All of these and much more are explored here, the deracinating and dehumanizing effects of modernity laid bare. There is also speculation and discussion about what it will take to break out and break free of these disasters–and more than discussion. The reader gradually comes to realize that the startling events set in the future are part of a plan to do just that.

And, there’s the language. Aside from ideas, visions, intelligent speculations on the future of mankind, Sanction is a massive prose poem, a soaring flight of mood and light and color, especially color, reflected off of a thousand polished facets, showing the events of the book from different angles, again and again.

Sanction is truly a great book, physically heavy, and heavy with ideas and dense, amazing language. I don’t recommend it unless you commit to reading the whole thing, though. This journey is not for the faint of heart. I’m glad that this Book I is only the beginning.

Advertisements

Book Notes No. 1, July 2018

Posting here has obviously been light, lately–seven posts since February, all about books, and mostly about my book, Sanity. Others have taken care of things quite nicely in the  the politics/government/social commentary department; if you haven’t yet, do go over to Social Matter and sign up for the email list, which will get you “This Week in Reaction,” which will likely be plenty.

I’m sure I’ll do some more essays, someday. For now I’ve found my groove with books, writing them and also spending more time reading them and less on “news” and commentary. So just to keep the blog on some kind of regular schedule I’m going to do at least a monthly book post. This is No. 1. Continue reading

Richard Carroll Reviews “Sanity” at Thermidor Magazine

Richard Carroll, refined literary blogger at Everything is Oll Korrectreviews Sanity in Thermidor Magazine.

At Thermidor: “Our Aesthetic is lucid madness.” Interesting how well that does fit with one of the things I was trying to do with Sanity, explore the balance of Apollo and Dionysius, reason and ecstasy, in a well-lived life.

It’s a generally favorable review, but more important to me is that Richard took the time and had the intellectual chops to understand the book and communicate that. There’s nothing a writer wants more, deep down in his soul.

A sample:

I bring this all up because preachiness was my main concern going into today’s novel, Sanity, written by Neoreactionary blogger Neovictorian. Since I only know him through his articles and am unaware of any previous experience he may have writing fiction, I feared that his book would turn out as either a political tract thinly disguised as a story or a wish-fulfilment fantasy. Though there are NRx and broader dissident Right gang signs all over the joint, they never get in the way of the narrative and the end result is, I’m happy to say, a genuinely good novel that stands well on its own as a novel.

You can follow Richard and read his most interesting takes on a universe of topics at @CheshireOcelot

Sanity, the Paperback

The paperback of Sanity is now available. I’m with the crowd that still prefers real books–though reading on a screen has its times and places.

Turns out that preparing a book for print is far more difficult than the e-version. I fiddled with the images and the layout for days.

You’ll note there’s a different cover. Let’s not get into the technical details of that. I think it looks sort of cool and faintly menacing, though. So I’m good with it.

If Mike Hammer had a son with Dagny Taggart, he might have turned out something like Cal Adler, the hero of Sanity. Just in case you were wondering.

Some Background on Sanity – the Novel

I’m pleased and grateful for the comments and feedback I’ve received on Sanity so far. I thought a bit of background on the origin, the sources and the writing process would be interesting to some readers. Just a taste, though. As with a woman, mystery about the thing is vital to continuing interest.

Like many of you I’ve been an avid reader from the beginning, that is from the earliest days I can remember learning to read. Anybody who has read a good book and has a spark of creativity has thought about writing one themselves, how it gets done and what it takes, the time and the struggle. I remember when I was 15 talking to a woman at our church who had published several successful “Young Adult” books: “I have so many good ideas for books!” She just smiled and said: Continue reading

Sanity – a Novel is Published

It took longer than gestating a real baby, but I published the novel yesterday, for Kindle only so far. The print version requires a lot more work to get right, but there will be one within the week–I personally like to read books.

The eminent Nick B. Steves was an early reader and I trust he won’t mind me quoting a bit of his response:

I had the chance to read in on a flight to Phoenix. It was dynamite. Couldn’t put it down…

SANITY is soaked in an anti-modernist critique that long-time lurkers will find as comfortable as an old shoe. It doesn’t preach, but rather assumes the sale. For those who’ve drunk deeply at the NRx water-cooler, there will be many cleverly hidden Easter Eggs.

I previously posted about the process of writing and the part fiction could play in making our culture and society less worser. I hope you will buy and read the book and if so inclined, review it.

I’ll have more to say about the details soon. One more time:

Sanity – a Novel

 

Back with a Book, But Liberalism Unsteelmanned

A full two months ago I posted Steelmanning Liberalism (I), the (I) being a kind of warranty express and/or implied, but (II), which was supposed to be about how Liberalism (ostensibly) prevents civil war, won’t be appearing; it just wasn’t coming out of the unconscious depths from whence all my good writing emerges.

I was concentrating my mental energy on my novel Sanity, and I’m extremely pleased to report that my “final draft” is complete. Here’s the current, if somewhat inscrutable, synopsis: Continue reading