Sanction, the Book: A Novel of Our Time, of the Neoreaction, of the Future

Sanction, Book I by Roman McClay

Sanction is, simply put,  the most wondrous work I’ve read in many years. There are wonderful scenes, ideas, visuals, touches, and as a writer myself, I wonder at the work the author did to pull it off. At well over 400,000 words this indeed an epic–and only the first volume of three.

As I outlined in a previous post, I had wanted to write a novel most of my life, and was inspired to finally do it by a tweet asking “Who will be the Tom Wolfe of the Neoreation/Red Pill?” Amusingly, the product turned out to be only mildly “NRx” but I liked it and Sanity has sold well (by my standards) and gotten good reviews.

With Sanction, Roman McClay has indeed written the “NRx/RP” novel of our time, without, I suspect, even trying.

roman

Roman McClay

If we’re to try and place this novel in a genre, it’s science fiction, but science fiction that constantly strains at the usual definitions and genre tropes. Set in a time period of “Present Day/2018” through approximately 2040, most every chapter contains a scene from now/near term, a scene from somewhere in the middle of this time period and a scene from farther on. Because of this structure,the reader is very much in the dark about what’s going on in the beginning, but each chapter flashes another facet of the story into the reader’s mind, another clue on how it all fits together; but be warned, this is not a light read, a straightforward exposition of a single idea, an entertainment. This is more like reading Thomas Pynchon’s Gravity’s Rainbow (or in a lighter vein, my own “non-linear time sequence” book). Sanction requires investment from the reader.

I don’t know if describing the plot, as such, would give you any useful take on what the book is about, but but the basics are: Lyndon James MacLeod, a true Alpha Male and supremely strong independent Man, has endured a great many things in his life, betrayal and insults and theft of his property, that an Alpha would, until modern times, have responded to with proper and necessary violence. Lyndon takes it all and moves on, starts over building new businesses and romantic relationships, until one day (for reasons you’ll have to read to find out), he decides enough is enough, and systematically and indeed, artistically, eliminates 46 of the individuals who thought they could get away with fucking him over. Confined to prison for life, he becomes the subject of a genetics project/experiment that has, let’s say, unintended consequences, at least for the Governor of Colorado, a scientist/entrepreneur who set the project in motion. The fact that the project is run by two what might be described as, well, humanoid/android “runaway” AIs is not exactly coincidental. There’s more, so much more than this mere sketch to Sanction, but I call it science fiction in the sense that it explores the radical, world-shaking changes that AI and nanotech and cloud connectivity directly to the brain are going to bring–in fewer years than you may believe.

Much of the story is told through lengthy internal dialogues by a variety of characters, often reflecting on the NRx/Red Pill themes: The modern suppression of male energy, government as Daddy, feminism’s poisoning of sexual relations and marriage through “liberating” women to have sex with who and when they want, the stupefaction of the general population by “the media,” and Human Biodiversity, the natural and well-known differences between races and sexes, the natural clannishness of humans versus the fantasy of Neoliberal, Universal WoMan. All of these and much more are explored here, the deracinating and dehumanizing effects of modernity laid bare. There is also speculation and discussion about what it will take to break out and break free of these disasters–and more than discussion. The reader gradually comes to realize that the startling events set in the future are part of a plan to do just that.

And, there’s the language. Aside from ideas, visions, intelligent speculations on the future of mankind, Sanction is a massive prose poem, a soaring flight of mood and light and color, especially color, reflected off of a thousand polished facets, showing the events of the book from different angles, again and again.

Sanction is truly a great book, physically heavy, and heavy with ideas and dense, amazing language. I don’t recommend it unless you commit to reading the whole thing, though. This journey is not for the faint of heart. I’m glad that this Book I is only the beginning.

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Book Review: The Brave and the Bold, Volume 3 of “The Hidden Truth”

(Previously: A review of the second book in the series, A Rambling Wreck. A bit about the first volume, The Hidden Truth, in the post The Right Sort of Reactionary Fiction)

Producing a good novel is hard. Producing a better sequel is harder (I’m in the middle of trying; trust me). While I very much enjoyed and favorably reviewed the first two books in Hans Schantz’s Hidden Truth series, it turns out the best was yet to come. The Brave and the Bold is bigger and, well, bolder. It’s a precisely aimed missile that hits its targets in the x-ring, and provides the reader a hell of a good time getting there.

The Brave and the Bold is not just an excellent continuation, it represents a big step in the evolution of the author and his Hero, Peter Burdell, now more a man than a youth transitioning to adulthood. In this third volume he operates more independently, much of the time without his friend/sidekick Amit, his mentors or his Uncle Rob to advise him. Deep in the enemy camp, he must negotiate with ambiguous allies and make big decisions on his own. The maturing of his character is deftly and subtly handled, and is one of the delights of the book.

The Brave and the Bold is beautifully crafted, bigger and longer than the first two books in the series, but a smoothly unified whole. All of us would hope that we would grow as writers over time. Schantz has grown and developed as a writer, even as his character Peter Burdell has matured. As before, there are nicely integrated bits of science and engineering and a humorous skewering of the Social Justice sacred cows of our time; but there’s an increase of seriousness, of urgency in the Brave and the Bold as Pete has to balance serious risks, the risks of working with possibly questionable allies and getting himself and those he values hurt or killed, to stop an evil organization with big plans to transform the world in a way that he and the reader would certainly find unendurable.

The bulk of the action takes place on (in)famous Jekyll Island, Georgia, where, as The Fed officially acknowledges, “A secret gathering…in 1910 laid the foundations for the Federal Reserve System.”

jekyll-map

It’s the things not on the map–the secret tunnels, the underground vaults and the…things that lie within them that made for extra fascination for this reader. There is a wondeful sense of place to the action on Jekyll Island. I presume the author must have visited and documented the setting to be able to pull this off. It’s a wonderful achievement.

jekyll2.jpg

Typical NWO Outpost

The Grand Conspiracy being hatched in this beautiful setting this time is much, much grander than a US central bank–though perhaps the Fed was just a step along the path to what the “Civic Circle” has in mind.

The battle to stop that plan from coming to fruition is a thrilling, satisfying and epic conclusion to an excellent book. Luckily for his readers, Schantz has indicated that if The Brave and the Bold gets to 100 Amazon reviews, he’ll deliver us the next volume within a year. So buy and read the book, and review it. It’s an entertaining thriller that reflects the values that (I’m assuming if you’ve read this far) you and I hold dear.

Meanwhile, I understand that Dr. Schantz is working on a popular physics book with some ideas about how to resolve the so-called “paradoxes” of quantum mechanics.

Yes, please.

Book Review: Love in the Age of Dispossession by Loretta Malakie

Love in the Age of Dispossession by Loretta Malakie

This is a deceptive book.

Oh, it delivers what it promises, and more, but in the beginning there’s a little essay about the decline of rural America, farm country (in this case, Upstate New York) and Le Grande Remplacement. Then for a while it seems to be a Generation X teen romance. A high school Goth girl is sitting on a park bench in a small town in Upstate New York:

“It’s 1993, and when a boy loved a girl he made her a mixtape.”

Catherine “Kitty” Burnes is an Irish-Catholic wannabe rebel who’s been accepted at Ivy League schools, but there’s a sense that Something Is Not Right with her world. The first part of the novel subtly hints at the coming troubles, the emptying and degradation of small town America and the great White die-off that would follow. But on first reading you might think it’s something else, an almost photo-realistic description of one young American woman’s life, upwardly mobile, out of the sticks and away from the hicks and on to New York City, the vibrancy and the multiculturalism and the thousand different ethnic restaurants. The media ecology around her, and us, relentlessly tells us this is what we want, the pinnacle: Freedom! Freedom from, from neighbors who know your business, your stupid high school friends and limits on your “self-expression” and, most of all, freedom to have sex when you want, with who you want, without pain or fear or guilt. By the time Kitty arrives to live as an adult in New York the relentless propaganda for Erica Jong’s Zipless F*** is well into its second generation. And instead of fulfillment, it delivers anomie.

The sequence of events here is a deadpan, devastating parody of what Cosmopolitan and Sex and the City and a score of network comedies have sold to rest of America as The Good Life: Kitty goes to Cornell, Kitty goes to Europe (though we read only the barest details of her time there), Kitty goes to New York City, Kitty goes to law school and clerks for a federal judge. And none of it satisfies or fulfills or brings any real happiness, because she’s detached, from her people and her nature as a woman. She knows something is wrong. Always something is missing.

It’s tribe that’s missing, the home ground, people who know you, knew you as a towheaded child and still see that sun-kissed hair when you pass them on the street as an adult, people who know what to expect from you. New York is the land of constant, wearing uncertainty, except for those for whom it is the home ground.

Ms. Malakie delivers a surprisingly complete and colorful picture of those for whom the city is home ground, especially the Orthodox Jews that Kitty ends up spending time with. She captures the essence of their comfort with each other and the city. For a time, during law school and after, Kitty associates with them almost as a substitute family, though eventually the inherently unsatisfactory nature of these relationships comes home to roost. The novel also has two vividly drawn, college-educated black New Yorkers and one black affirmative action nightmare. As unrepresentative as former may be of the average, they lend a certain verisimilitude to work life in the city.

The art of the book is in the building; building complexity as Kitty grows up, building realization of the existential crisis she and her people are facing. The last section, which could only be spoiled by any explicit description of events, builds toward Kitty’s realization of her true nature and of what can redeem her, and us.

The novel has some imperfections that a good editor would have caught. There is some rather heavy-handed foreshadowing earlier in the book that could have been cut, and also an instance of the third-person narrator being an “I.” There’s one paragraph that looks to have got mangled in processing. These imperfections are far outweighed by the skillful, gradual increase in tension and depth as the story unfolds, and a moving last section that delivers on the book’s premises and the promises the reader has come to expect from what came before.

Love in the Age of Dispossession subtly and movingly shows the pathologies of feminism, modernism and materialism. More importantly, it artfully discovers and describes the life-affirming alternative.

Love in the Age of Dispossession is available on Amazon

Loretta Malakie tweets @lorettatheprole

Neovictorian is the author of Sanity, a Novel.

Book Notes No. 1, July 2018

Posting here has obviously been light, lately–seven posts since February, all about books, and mostly about my book, Sanity. Others have taken care of things quite nicely in the  the politics/government/social commentary department; if you haven’t yet, do go over to Social Matter and sign up for the email list, which will get you “This Week in Reaction,” which will likely be plenty.

I’m sure I’ll do some more essays, someday. For now I’ve found my groove with books, writing them and also spending more time reading them and less on “news” and commentary. So just to keep the blog on some kind of regular schedule I’m going to do at least a monthly book post. This is No. 1. Continue reading

“The Powers of the Earth” by Travis J. I. Corcoran–a Review and an Appreciation

About a year ago I opined on The Right Sort of Reactionary Fiction here, while I was in the middle of writing Sanity. As I wrote then:

What’s needed is an interesting story and interesting characters. What’s needed is what any good novel needs, making the reader care about what happens next…What I’ve found is that if you just write the story, there are plenty of opportunities to slip the Dark Enlightenment and the Red Pill and whatever other points you want to make in as a natural part of the narrative.

I just finished Travis J. I. Corcoran’s The Powers of the Earth, and while it’s not necessarily, precisely DE/RP, it’s…a great book. It’s great as “hard” sci-fi, it’s great as satire on Political Correctness and the various idiocies of Current Year and politicians and DC and socialism. But what makes it more than good is the way these strands come together in a great, big story, a story in which the reader an hardly wait to find out what happens next.

I’ve read thousands of novels, friends. This is the Real Deal.

I’ll let the Author explain his own plot (from the Amazon description):

Earth in 2064 is politically corrupt and in economic decline. The Long Depression has dragged on for 56 years, and the Bureau of Sustainable Research is hard at work making sure that no new technologies disrupt the planned economy. Ten years ago a band of malcontents, dreamers, and libertarian radicals bolted privately-developed anti-gravity drives onto rusty sea-going cargo ships, loaded them to the gills with 20th-century tunnel-boring machines and earthmoving equipment, and set sail – for the Moon.

There, they built their retreat. A lunar underground border-town, fit to rival Ayn Rand’s ‘Galt’s Gulch’, with American capitalists, Mexican hydroponic farmers, and Vietnamese space-suit mechanics – this is the city of Aristillus.

There’s a problem, though: the economic decline of Earth under a command-and-control economy is causing trouble for the political powers-that-be in Washington DC and elsewhere. To shore up their positions they need slap down the lunar expats and seize the gold they’ve been mining. The conflicts start small, but rapidly escalate.

Yes, there will be fighting.

The thing I’d point out, though, is just how vivid are the characters. They’re masterfully built up so that shortly after the first chapters I cared about them. And some of the most interesting and memorable characters are Dogs, with a capital “D”–I won’t say too much about them, except Dogs are people too…

I am a great admirer of Robert Heinlein’s work and anyone who’s read Heinlein’s The Moon is a Harsh Mistress will soon realize The Powers of the Earth has some interesting echos of it. Corcoran even brings them up himself, with characters discussing TMIAHM within the book. He manages to pull off exploring some of the same themes as Heinlein, giving tribute to Heinlein but taking things in new (and often surprising) directions. This is not rehashed Heinlein, nor is it really Galt’s Gulch on the Moon–though it has some elements of Atlas Shrugged, too (especially Rand’s gift for creating Bad Guys and Gals That Work for the Government).

The Powers of the Earth is a vivid, riveting page-turner that had me caring a great deal about its characters, and what’s going to happen next. And it ends on the perfect cliffhanger…luckily the second book Causes of Separation is already loaded, so I’m going to go find out.

Richard Carroll Reviews “Sanity” at Thermidor Magazine

Richard Carroll, refined literary blogger at Everything is Oll Korrectreviews Sanity in Thermidor Magazine.

At Thermidor: “Our Aesthetic is lucid madness.” Interesting how well that does fit with one of the things I was trying to do with Sanity, explore the balance of Apollo and Dionysius, reason and ecstasy, in a well-lived life.

It’s a generally favorable review, but more important to me is that Richard took the time and had the intellectual chops to understand the book and communicate that. There’s nothing a writer wants more, deep down in his soul.

A sample:

I bring this all up because preachiness was my main concern going into today’s novel, Sanity, written by Neoreactionary blogger Neovictorian. Since I only know him through his articles and am unaware of any previous experience he may have writing fiction, I feared that his book would turn out as either a political tract thinly disguised as a story or a wish-fulfilment fantasy. Though there are NRx and broader dissident Right gang signs all over the joint, they never get in the way of the narrative and the end result is, I’m happy to say, a genuinely good novel that stands well on its own as a novel.

You can follow Richard and read his most interesting takes on a universe of topics at @CheshireOcelot

Sanity, the Paperback

The paperback of Sanity is now available. I’m with the crowd that still prefers real books–though reading on a screen has its times and places.

Turns out that preparing a book for print is far more difficult than the e-version. I fiddled with the images and the layout for days.

You’ll note there’s a different cover. Let’s not get into the technical details of that. I think it looks sort of cool and faintly menacing, though. So I’m good with it.

If Mike Hammer had a son with Dagny Taggart, he might have turned out something like Cal Adler, the hero of Sanity. Just in case you were wondering.